Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Wednesday, January 12, 2011

Journaling

"I never travel without my diary. I should always have something sensational to read in the train." - Oscar Wilde

Oscar and I, we think alike. I ask myself sometimes, why do I keep a journal? Who'd want to read it? Or more importantly, who would I want to read it or not read it?

Joan Didion says in her essay, On Keeping a Notebook, it is to "remember what it was to be me." That is enough justification and explanation for me to continue my writings and staplings, diligently adding to the Rubbermaid full of my thoughts which is currently housed in a friend's basement in Portland.

One day, I will pull them out, sifting through words of a life worth living. Remembering what it was like to be me.

Thursday, October 21, 2010

Just guessing: Haruki Murakami is A Short Man.

Quote from recent read, After Dark, by said author:

"Mari is a tiny girl, and the woman [Kaoru] is built like a barn, maybe two or three inches shy of six feet." Also referred to Kaoru as a "Big hunk of a woman."


Who knew a 5'9" woman was so massive? God help me.

Now, to test my hypothesis, I looked online for height and weight stats on this author whose book, Kafka on the Shore, I loved. But there were none. I looked for photos, for height comparisons, and this man does not appear in any group photos and only two with other people.

So I cannot be sure.

I still like his writing.

Sunday, May 18, 2008

Auckland Writers and Readers Week



Today was sunny and 70ish in Auckland.  I should have popped out out of bed like a jack-in-the box, but I was sluggish and slumpy instead.  It was at least 9:48AM when I got up off the couch. Yes, the couch.  I've been sleeping on the couch for a week now.  It's harder than my twin trundle bed, which is on wheels and a mere 12 inches off the floor. 

After my last visitors left, my back persuaded me to move to higher ground.  It's also easier to get up in the morning.  I'm much closer to standing.

Anyway, today I had plans to attend a few free lectures at the Auckland Writer's conference. The first one started at 11:3oAM. I was expecting it to be story hour, like we used to have at the library when I was a kid in Alexandria.  My mom would take Carrie and me quite regularly and we would sit on the floor and enter our dream world.  Later, after we'd moved to North Dakota, I had two teachers who understood the power of reading to your class, Mr. Wetzel in 5th grade and Mr. Bjornson in 6th grade.

So I got to the first session and closed my eyes as the four different authors read from their novels.  It was not quite the same as when I was a kid.  (I think perhaps the stories were simpler then.)  But it was still enchanting.  I'm thinking that we should have adult story hour.  I think when I start my cafe/community center, I will have an adult story hour.  Who said we have to give it up when we hit the double digits?  

The highlight of the readings was Mr. Duncan Sarkies, a contributor to "The Flight of the Conchords" and recent author of "Two Little Boys."  The audience was nearly falling out of their chairs with laughter.  

After a 30 minute intermission, in which time I wandered to the book table, filled out a survey, and picked up some Auckland city maps for Molly and Josh's impending visit, I returned to my seat in the Limelight room.  A man in head-to-toe black including a suit jacket sat next to me. He was carrying a medium-sized moleskin journal and black permanent pen, which he used to make flourishes and notes as the lecture moved along.  The writing was so filled with flair that I couldn't sneak read it from my close distance.  He looked like an art critic, but was wearing a sponsor tag. 

Oh, back to the lecture.  (I may have been more interested in my neighbor.)  The lecturer, Dr. Charles Pigden, was a very hyperopic (literally and figuratively) philosophy professor from Otago University in the south island, speaking on the history of philosophy in New Zealand. 

He started out by repeatedly saying how NZ was superior to all other countries, except perhaps Finland, when it came to philosophy. (This county is fantastic at flagrant self-promotion.) He then went on to cover the history and specificially deride one of the early philosophy professors, William Anderson, at the University of Auckland.  After a long and loud lecture, he asked for questions.  A middle-aged woman stood up. She wore a worn camel leather coat, black pin-striped pants, and straight blondish grey hair, about shoulder length. 

"I am the granddaughter of William Anderson."

Mr. Philosophy professor's ego visibly deflated and he looked annoyed as she went on to explain her grandfather's philosophy on philosophy and education...  

That was the highlight of the lecture. 

And the lesson is...  this is a small country, be careful what you say!  Oh and and don't forget about "Adult Story Hour", coming to a cafe near you! (When I return to the states one day.)

Monday, March 3, 2008

C.K. Stead

Last night after work, I hurried downtown to the Maidment Theater to catch a lecture by C.K. Stead. If you haven't heard of him, he's a fantastic New Zealand author and former professor at the University of Auckland. He writes in a down-to-earth, witty manner with an alternative style of thinking. After hearing him read excerpts from several of his novels, I think I have some new homework to do.

Prior to last night, I'd only been exposed to his poems. I felt compelled to take a book of his home (The Red Tram) from the Parnell Library after skimming though a few - they were so accessible that I actually brought the book home and read them!

Two of his readings I found particularly captivating:
My Name was Judas (2006), re-imagines the life and part of Judas of Keraiyot, the great betrayer, in the story of Jesus. It has been shortlisted in the fiction category of the Montana New Zealand Book Awards 2007.
The Secret History of Modernism (2001), "This complex novel fits together so neatly that it might feel glib in the hands of a less skilled writer. But Stead’s crisp prose serves a vigorous and subtle intelligence, so that nothing is closed off. There is always another connection, another layer." - John de Falbe, The Spectator